Saffire PRO 26 offers a total of 18 inputs and eight outputs, allowing for an astonishing level of flexibility and versatility. At the heart of Saffire PRO 26 lies this reputation for impeccable sonic integrity, true to Focusrite’s core belief that ‘Sound is Everything’. Those modules became the foundation of a range of top quality professional audio products that has gone from strength to strength over the intervening years. Focusrite began in 1985 when Sir George Martin approached console design legend Rupert Neve to create new modules for AIR Studios. With three decades of experience in analogue audio equipment design, Focusrite is renowned for producing some of the industry’s most popular preamps, channel strips and audio interfaces. Saffire PRO 26 is ideal for both recording and live applications. Its four award-winning Focusrite preamps along with the latest in A-D/D-A conversion technology combine with the powerful Saffire Mix Control software to deliver professional sound quality, flexible routing options and rock-solid reliability. Saffire PRO 26 is an 18-in, 8-out 24-bit/96kHz Firewire interface designed with the professional user in mind. Click here to learn more about the keys to Focusrite interface superiority. Saffire interfaces are compatible with any DAW on Macintosh or Windows, and with the included Red 2 and Red 3 AAX plugins, make a perfect partner for Pro Tools. Description FOCUSRITE SAFFIRE PRO 26 18-IN/8-OUT FIREWIRE AUDIO INTERFACEįirewire 18-in/8-out audio interface with four Focusrite mic preampsįocusrite’s Saffire range of Firewire audio interfaces underlines the fundamental features that distinguish the sound quality of Focusrite interfaces from the rest and make them class leaders: superb analogue/digital conversion quality, thanks to painstaking attention to detail in component choice and circuit design and Focusrite’s award-winning mic preamps, designed specially designed for our computer interface ranges with experience going back 30 years, to deliver clean, transparent sound with minimal noise and distortion.
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